I must admit a certain inclination toward the particular aesthetic which the Balkans region presents. The orange tiled roofs, sometimes kempt, sometimes not, set against bright blue skies rolling hills and green mountains offer a visage I feel to be ripe in the necessary qualities of dramatic landscape. Throughout the regional trip I found myself consistently documenting nearly every new environment I came in contact with, of which there were many. Some may have memories of me on the trip pointing the camera lens at them from a distance, or in a state of unobservance while I ambled along the streets aiming the camera upwards towards the tops of buildings.

Yet I also find that there is a self perpetuated bias towards this environment that comes with me as a person foreign to this place. I say that I find it beautiful, but in what capacity do I observe its beauty? I may find streets in my hometown similar in functional and social quality to those in Bosnia, or Albania, yet I do not find these beautiful. To me it is the unknown quality, and not the aesthetic quality then, that I see as being beautiful here. It is the state of its unreachable, almost incomprehensible nature that I find, and I suspect many others find so attractive. In essence, that it is not of myself, or my familiar environment, thus it is beautiful.

What I want, what I desire most in the coming month, is to find a sort of familiar beauty in this place. To no longer see it as exotic or foreign, but as close to my personhood.


Here we go again! Documentary Projects in Kosovo is on it’s second year. Our journey begins now.